SITE
LITP
videography
7:42 min
In the outdoor area of the mausoleum, LITP unfolds as a transition between architecture, projection, and perception. The projection not only animates the courtyard wall but also the dome behind it, turning the historic building itself into the carrier of the work.
Color-intensive microorganisms, luminous water reflections and manipulated shadows of hands and bodies appear. Image sequences emerge and fade away, overlap or merge into one another. Some moments are shaped by intense colors, others are black and white. Motion and stillness alternate. They follow no linear progression, no fixed rules, but are constantly transforming into new forms. The precise, point-like sounds by Ahmetcan Gökçeer respond directly to these visual impulses, creating together a dense structure that seems to dissolve the boundaries of the architectural space.
In LITP, sound and image do not follow a mechanical rhythm in their interplay. Their anarchic organization breaks viewers’ usual expectations through the experience of apparent disorder and contradiction. The work invents in the process of its movement, its own structure and aesthetic logic that resist adaptation. Precisely because it points in no clear direction, LITP makes clear that art does not have to obey. In its resistance to prescribed order, it can become an impulse that encourages new ways of seeing, hearing, and thinking.
CAMILLA ANGOLINI
BACKGROUND
In her artistic practice Camilla Angolini deals with different forms of memory, archiving and historical perception. She is interested in both personal and collective forms of memory, as well as the possibility of their shifts, fragmentation and manipulation through mass media.
EXHIBITIONS
2025 Düsseldorf (de), DFI Projekt Büro: You were always on my mind.
2024 Köln (de), Kulturbunker Köln- Mülheim e.V.: ContinerKLANG #22.
2024 Hombroich (de), Raketenstation Hombroich: out of sight, out of mind.
2023 Montepulciano (it), Palazzo Rici: Kolleg der Künste
2023 Bremen (de), Dauerwelle: Dingi77
2023 Karlsruhe (de), Kunstakademie Karlsruhe: KunstHoch36.
2023 Düsseldorf (de), The Pool: Sharktank Auktion.
2021 Düsseldorf (de), Oberbilker Allee 58: The Tides.
2021 Moskau (ru), Khodynka Gallery, Bad Video Art Festival.
STUDIES
Since 2020 Düsseldorf (de), University of the Arts: Studies
2016-2020 Bolzano (it), Free University of Bolzano: BA
BIO
Lives in Germany.
Born in Italy.
LINKS
camillangolini.com
@bruttifrutti
AHMETCAN GÖKÇEER
BACKGROUND
Ahmetcan Gökçeer is a composer, producer, guitarist and improviser from Istanbul, Turkey. His music mainly focuses on generative patterns, reprocessing audio and creative looping as well as, the human-machine relationship.
EXHIBITIONS
2025 Istanbul (tr), 18. Istanbul Biennale: “410 Letters: On Reading and Writing (Albanian)” by Dilek Winchester
2024 Köln (de), MAKK Museum, Kölner Design Preis: command_Ü, Artistic Research Project & Performance with Hannah Otto
2024 Istanbul (tr), ARTER Istanbul: Glossolala.
2024 Salzburg (au), LIMINA Festival Salzburg
2024 Istanbul (tr), Sónar Istanbul: wipeç Multimedia Live Performance.
2024 Cologne (de), Kulturbunker Köln: ContainerKLANG #22
STUDIES:
2022–2025 Cologne(de), University of Music and Dance Cologne: MM in Electronic Composition
2012–2016 Istanbul (tr), Istanbul Bilgi University: BA in Music
BIO
Lives in Germany.
Born in Turkey.
LINKS
ahmetcangokceer.net
@ahmetcan_gokceer
FEATURED IMAGE
Camilla Angolini & Ahmetcan Gökçeer. SEE DJERBA Houmt Souk 2025. Photo: Wassim Ben Aissa.